Vocal: Vid. Manasa Nayana
Violin: Vid. Sunita Ramabhadran
Mridangam: Vid. Radhesh
01. varna - mahishasuramardini - Andolika - Adi - muttaiah bhAgavatar
02. vandEnishamaham - hamsadhwani - Adi - mysore vAsudevAchar
03. sArasamukhi - gowdamalhAr - Rupaka - muttaiah bhAgavatar
04. ranjani AlApa - sadA sAranga nayane - Adi - mysore yogAnarasimha
05. bhajarEmAnasa - pUrNachandrika - Adi - jayachAmarAja voDeyar
06. bilahari AlApa - shreechamunDEshwari - Adi - mysore vAsudevAchar
07. brahmAnDavalaye - mAnd-Adi
08. mangalam
Review:
The concert started with a beautiful varnam in Andolika followed by vandEnishamaham in hamsadhwani which was elaborated with a short AlApa and a short kalpanAswara. Then came a small piece sArasamukhi in a rare rAga gowDamalhAr. This was followed by an elaborated AlApa in ranjani and sadA sAranga nayanE - a rare krithi by mysore yogAnarasimha. The main item bilahari mesmerised the audience. The neraval and kalpanAswara showed the proficience of the artist. This was followed by an impressive taNi by Vidwan A Radhesh who inspired the artist throughout the concert with a good follow-up. Violin accompaniment by Vidushi Sunita was very good. Her support to the main artist and the ability to repeat many swara-patterns were notable. Manasa's voice was very good and flexible. Two charecteristics of the concert are - the concert was filled with dEvi krithis, the occassion being navarAtri and the krithis were mostly by mysore vAggEyakaras. The only dearth in the concert was the not-so-good acoustics of the hall.
The concert started with a beautiful varnam in Andolika followed by vandEnishamaham in hamsadhwani which was elaborated with a short AlApa and a short kalpanAswara. Then came a small piece sArasamukhi in a rare rAga gowDamalhAr. This was followed by an elaborated AlApa in ranjani and sadA sAranga nayanE - a rare krithi by mysore yogAnarasimha. The main item bilahari mesmerised the audience. The neraval and kalpanAswara showed the proficience of the artist. This was followed by an impressive taNi by Vidwan A Radhesh who inspired the artist throughout the concert with a good follow-up. Violin accompaniment by Vidushi Sunita was very good. Her support to the main artist and the ability to repeat many swara-patterns were notable. Manasa's voice was very good and flexible. Two charecteristics of the concert are - the concert was filled with dEvi krithis, the occassion being navarAtri and the krithis were mostly by mysore vAggEyakaras. The only dearth in the concert was the not-so-good acoustics of the hall.